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Author: Subject: Experimentation
armour_guitarist
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posted on 2004-5-4 at 00:57
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Originally posted by tremendous
i've been listening to a song all day which is in 5/16 superimposed over 4/4. it's crazy.


that is insane. what song is it?

Chris, i'd explain it to you, but it's too much work, and you probably wouldn't get it anyway.





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Reivax
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posted on 2004-5-4 at 03:21
Ian, I'd like to think that if you expained it to me I'd get it. I've just never actually had any form of music lesson before.

Actually, Bart, over MSN, gave me an hour long lesson. I had to go, but he was willing to teach me alot more. I understand alot more now, but it's taking a little time to digest because it was so much. The next lesson will be uncommon time signatures. We didn't get that far.





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armour_guitarist
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posted on 2004-5-4 at 05:36
well i'm betting Bart is a better teacher than i am, and he's probably more knowlegeable than i am aswell, so ill let him do it.





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SideO_JR
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posted on 2004-5-4 at 05:39
I wanna hear this screaming eveyrone is loving!





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armour_guitarist
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posted on 2004-5-4 at 05:43
me too! i guess ill just have to wait for the cd... shit it's not gunna get released for such a long time!





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RobH
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posted on 2004-5-4 at 06:22
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Originally posted by tremendous
i'm almost certain the tide's verses are in 5/8, just like the at the seams verses.



Well, now I'd like to get an "official" confirmation of the time, because I was fairly confident that it was 6/8 when I was counting it...

quotation:
Originally posted by tremendous
i've been listening to a song all day which is in 5/16 superimposed over 4/4. it's crazy.


I once started writing a song with a 16th note part superimposed over an 8th note triplet part, both on guitar. It sounded sweet, but I never really finished it...


I would also like to say that while you can write music, (even good music) without the theory, you can never really "get to the next level" without it. It's absolutely key.





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armour_guitarist
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posted on 2004-5-4 at 06:39
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Originally posted by RobH
I would also like to say that while you can write music, (even good music) without the theory, you can never really "get to the next level" without it. It's absolutely key.


agreed.





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Reivax
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posted on 2004-5-4 at 13:30
quotation:
Originally posted by armour_guitarist
quotation:
Originally posted by RobH
I would also like to say that while you can write music, (even good music) without the theory, you can never really "get to the next level" without it. It's absolutely key.


agreed.


Well, that's not very encouraging. I guess I better get on it. I thought I was doing pretty good without it





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1lilrockerchic
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posted on 2004-5-4 at 13:40
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Originally posted by Jeff K
Music theory = amazing.


Very true. you really need to know music theory to understand the concepts i remember talking about this MONTHS ago.

Dez what kinda tutoring? cause the scales are pretty easy the chromatic is the simplest one eg: B C C# D D# E F F# G G# A A# B Bb then back down using A Ab G Gb F E Eb D Db C B pentatonic i will get the scale and post it up unless someone else beats me to it.





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Sin Ogaris
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posted on 2004-5-4 at 13:46
I know very little music theory. Everything I do know I learned from tablature.
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tremendous
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posted on 2004-5-4 at 17:14
the song i was talking about - 5/16 over 4/4 can be downloaded here: http://www.soundclick.com/bands/2/chimpspannermusic.htm - it's called spirals. i haven't been able to stop listening to it.






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Jeff K
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posted on 2004-5-5 at 02:24
Rob, I have to disagree. The next level of music is not centred around theory. The next level is whatever takes all music scenes by storm (the mainstream, the underground etc) and is able to present music in an original and compelling way while still retaining loads of credibility. Whether theory is involved or not, I don't think it makes a difference. It's all about substance. Although theory can add substance I do not think it is an essential ingredient for 'the next level.'

[Edited on 5-5-04 by Jeff K]





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posted on 2004-5-5 at 02:47
I agree with Jeff 100% I've been trying to think of way to say exactly that all day! Thanks Jeff!

It's great to be able to utilize the theroy, but in doing so it's easy to loose the other elements of a song that are so vital (melody, rythym, structure etc.) Thats not to say that you can't have the best of both worlds in a song/composition. You definetly can (Dream Theater comes to mind.) But it's a very fine line to walk.





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RobH
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posted on 2004-5-5 at 16:27
That's not what I meant, Jeff. No amount of theory can make your songs popular, obviously. But without the theory, there will always be so much that you can't do. Perhaps this is a little anecdotal to be a valid argument, but it sure was for me. The more you learn, the more tools you will have at your disposal to achieve your desired result.

I guess this really comes down to what your definition of the "next level" is. Mine had more to do with technical proficiency, and I suppose that that was a little narrow in the context of the musical environment.





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Jeff K
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posted on 2004-5-7 at 10:18
I see what you mean. Good points.





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Reivax
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posted on 2004-12-26 at 07:27
I think Rob and Bart's argument over the time is kinda funny, considering they are both right.

To think, if it weren't for this thread I probably wouldn't know anything I know now about music theory. .

I brought this back, because, for god knows what reason, I was thinking about it...Plus, it's ammusing to read things from a while ago.

[Edited on 26-12-04 by Reivax]





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tremendous
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posted on 2004-12-26 at 16:01
well it wasn't so much an argument... but yeah. as reivax knows, the tide's verses are 5/8 for two bars and then 6/8 for the next two, and so on.
for the record, when i said i was pretty sure they were 5/8 all the way through, all i had to go by were 30 second video clips of the song played live.






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Reivax
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posted on 2004-12-26 at 17:49
Yeah, I realize it wasn't an argument, but I couldn't think of a better word.





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